
Aquamarine Necklace
Yellow gold, oval-cut aquamarines — [NEEDS INPUT]
Commission necklace with graduated aquamarines in yellow gold prong settings. Real photography — copy draft pending review.

Atelier
Goldsmith and gemmologist — jewellery, interiors, yachting on commission
How a piece is made
Every commission starts with a conversation. You tell me the idea, the stone you already have, the context — a gift, an interior to furnish, a handle for a yacht, a ring built around a family stone.
I draw the piece by hand, then model it in 3D when the shape requires it. In the workshop I work the metal: micro-torch, setting, finishing. Burin engraving — on jewellery or on watch cases — I do in-house, with the GraverMax.
Before delivery, I check stones and setting in the gemmological lab. It is not a counter appraisal: it is control of the piece I am about to hand you.
01
You tell me the idea, the stone, the context. Together we define materials, proportions and purpose — jewellery, interior, yachting, heirloom piece.
02
Hand drawing and, when the piece requires it, 3D modelling. The design takes shape before touching metal.
03
Metalwork: micro-torch, setting, hand finishing. Burin engraving on jewellery and watch cases with the GraverMax.
04
Verification of stones and setting in the gemmological lab, before delivery.
Selection
Draft photography in review — not approved for public launch yet.

Yellow gold, oval-cut aquamarines — [NEEDS INPUT]
Commission necklace with graduated aquamarines in yellow gold prong settings. Real photography — copy draft pending review.

Yellow gold, amethyst, aquamarine, citrine, prasiolite — [NEEDS INPUT]
Commission necklace with oval faceted stones in a multicolour palette. Real photography — copy draft pending review.

Yellow gold, oval-cut coloured gems — [NEEDS INPUT]
Second commission interpretation with a sequence of coloured stones in gold. Real photography — copy draft pending review.

White gold, emeralds and brilliant-cut diamonds — [NEEDS INPUT]
Commission rivière alternating emeralds and diamonds with brilliant halos. Real photography — copy draft pending review.

2020
Silver, chasing — Padua client
Crozier restoration with macro documentation of structural damage and refinishing. Draft page — client permission pending.

2020
Silver — Padua client
Thurible and boat restoration: piercing, chains, polishing. Draft page — client permission pending.
In the first person
Francesco Ponzi is a goldsmith and gemmologist. He works in Bagnacavallo, in the family workshop — the same laboratory where he learned the craft. The work is on the piece: drawing, metal, stones. Before delivery, setting and gems pass through the gemmological lab. It is not a counter service: it is control of what leaves his hands. Commissions begin with a conversation. Often it is a bespoke jewel; sometimes an interior detail, a piece for yachting, a family stone to rethink. Projects come from Italy and abroad when the work calls for it. For the family jewellery shop and everyday services there is Ponzi Gioielli — the link is at the bottom of every page. What remains here is the author's presence: the works and the way they are made.
Commission
Write to me about a commission: a jewel, a piece for interiors or yachting, a stone you want to set or rethink, a watch case to personalise. I reply by email or WhatsApp. We start with a conversation — no complicated forms, no standard quotes.